The subject of this paper is architectural heritage of the former Socialist Republic of Montenegro (SR Montenegro) in the period between 1945 and 1980, with particular emphasis on the role of stone in modern architecture. Stone, as a primordial building and design material, is present in post-war modernist Yugoslav architecture, especially during the first decades, the 50s and 60s of the 20th century. It establishes the continuity of construction, which in Montenegro has two fundamental links: the first is the connection with the vernacular principles of construction in the dry, rugged Mediterranean landscape that extends all the way to the central part of Montenegro, and the second is the connection with the beginnings of the modernist architectural idiom in Montenegro in the interwar period when stone was used mainly in a classical, academic manner. While the paper sheds the light on a hidden part of a very fruitful but neglected architectural heritage, standing in sharp contrast with today’s trends of neo-liberal design practices in the country, it also aims to discern an intrinsic influence of the Mediterranean ethos on the architectural and urban developments on the southern and central region of Montenegro. Although most of the addressed buildings are part of the urban context, the imprints of the Montenegrin landscape, with stone being its dominant characteristic and a certain kind of national demarcation present through its authentic use, create recognizable genius loci. Finally, while deconstructing this phenomenon, the paper will help to communicate the process of retreatwith respect to the wider tendencies of European architectural currents of the 20th century.
Academic dr Đorđe Zloković (1927-2017) and dr Milica (Zloković) Mojović are the children of the architect Milan Zloković. (n.d.).
According to the available data, the author of this relief is the Montenegrin sculptor Drago Đurović (Vol. 24, pp. 149–154). (n.d.).
Arhitekta koji je podizao ugled profesije. (n.d.). In Portal Analitika.
Blagojević, L. (2003). Modernism in Serbia (p. 193).
Bogdanović, B. (1980). Zapis o građenju spomenika u Ivangradu. Letopis Matice Srpske, 425(3–4), 596-609,.
Braudel, F. (1972). The Mediterranean and the Mediterranean World in the Age of Philip II (Vol. 1, p. 102).
Cecilia, F. M., & Poveda, P. (2013). Alvaro Siza Vieira 2008-2013 (p. 49).
During the reconstruction and rehabilitation, the building underwent significant changes that largely changed its original appearance (it became a “Hilton” hotel in 2016). A part of the lower volume was demolished by mistake, later rebuilt according to its original appearance. (n.d.).
Edensor, T. (2015). Sensing the ruin. The Sense and Society, 2(2), 230,. https://doi.org/10.2752/174589307X203100.
Hobsbawm, E. (1994). Age of Extremes: The short Twentieth Century 1914-1991 (p. 33).
Ivanišin, K. (2015). Arhitekt i grad – dubrovački opus Nikole Dobrovića. Art Bulletin, 65, 121-150,.
Keković, A. (1978). Osnovna škola Stefan Mitrov Ljubiša u Budvi. Arhitektura Urbanizam, 78, 69-71,.
Lempi, D. R. (2004). Jugoslavija kao istorija: Bila dvaput jedna zemlja (p. 210).
Ljeto na Morači na plaži Galeb (Podgorica. (2015). Moja Crna Gora.
Markuš, A. (2008). 50 neimara Crne Gore (pp. 149–154).
Marušić, M. (2020). Kamena čipka – graditeljska baština koju smo zaboravili i zapostavili. Bokanews.
Merin, O. (1964). Le Monténégro (p. 52).
Minjević, Đ. (2008). Nikšić u sjećanjima (pp. 36–37).
‘Onogošt’ za utočište duše. (2016). Novine Nikšića.
Opatija, V., Belgrade, & in, T. (2006). Lj. Blagojević, Itinereri: Moderna i Mediteran, tragovima arhitekata Nikole Dobrovića and Milana Zlokovića (pp. 112–113, 120–122).
Poveda, F. M. C. P. (2005). Eduardo Souto De Moura 1995/2002. El Croquis, 124, 21,.
Radević, S. K. (1981). Tendencije i pojave u arhitekturi Crne Gore. Arhitektura, 9(81), 19-22,.
Radević, S. K. (1994). Moj koncept. Pobjeda, 13,.
Radulović, V. (2011). Interpretations of the regional context, on the example of the architecture of Herceg Novi in the twentieth century (pp. 112–116).
Radulović, V., Gregović, B., Stamatović, S., Šuković, D., Tomanović, Z., Tadić, S., Radovanić, U., & Adžić, N. (2007). Savremeni izraz tradicionalnih kuća u Crnoj Gori (pp. 7–75).
Radulović, V., & Žarić, S. P. (2017). Context in the works of Nikola Dobrović on the Territory of Herceg Novi. A&U – Architectura & Urbanizmus, 51(3–4), 176-197,.
Ricoeur, P. (1955). Historie et Verite (p. 123).
Rogers, E. N. (1958). Esperienza dell’architettura.
The building was demolished after damage in the 1979 earthquake. (n.d.).
The facility won the first prize at the Yugoslav competition for a new school in 1955, and the project was published in the publication ‘Schools’ in Zagreb in 1955, as one of the four contemporary school projects in Yugoslavia at the time. Architect Minjević became a member of the Commission for the Design of Primary Schools, which was headed by architect Juraj Najdhart. (2019). In V. Bojković, Architecture and urbanism of Nikšić after the Second World War (pp. 66–67).
The reconstruction and extension of the building was completed in. (2022).
Twillert, M. (2015). Podgorica: Memories of Hotel Crna Gora. Living in Montenegro, Mar, 16.
Vannini, P. (2015). Non-reprezentational ethnography (p. 318).
Vergottini, G., Bugli, E., & Siboni, G. (2019). Il Territorio Adriatico (Vol. 1, pp. 199–264).
Videkanić, B. (2019). Nonaligned modernism (p. 17).
Vila Rivijera (Zgrada Andrije Franovića. (n.d.). Fondacija Milan Zloković.
Vučković, S. S. (2020). In memoriam: Arhitekta Aleksandar Keković. In Godišnjak Arhitektonskog fakulteta 2016-2020, Arhitektonski fakultet u Podgorici (pp. 203-204,).
Vučković, S. S. (2022). Mjesto gdje JA postaje MI: Spomen(ik) ili zaborav. In Moć kulture - kultura sjećanja: Politike i prakse (pp. 60–73).
Vukotić, M. L. (2018). Arhitekta Nikola Dobrović: život, delo i doba kome je pripadao. Kosovska Mitrovica, 201–205.
(1937). – The Only Female Recipient of the Federal “Borba” Award. Piranesi, 27(41), 18-31,.
(2018a). House of Culture, and then the cinema "18. In September". The facility was reconstructed and reopened in 2015 as a Cultural and Information Center (KIC). S. Stamatović Vučković, Arhitektonska komunikacija: objekti kulture u Crnoj Gori 1945-2000 (pp. 130–134).
(2018b). In The Italian Debate 1940s-1950s. An Anthology (p. 13).
The statements, opinions and data contained in the journal are solely those of the individual authors and contributors and not of the publisher and the editor(s). We stay neutral with regard to jurisdictional claims in published maps and institutional affiliations.
,
